White House Chronicle

News Analysis With a Sense of Humor

The Truth is on the Walls

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VILNIUS, Lithuania – In May 2016, local artist Mindaugas Bonanu painted U.S. presidential candidate Donald Trump locking lips with Russian President Vladimir Putin on the wall of Keule Ruke, a barbecue restaurant near the city’s Central Station. Painted next to the passionate pair was the phrase “Make everything great again,” a riff on Trump’s campaign slogan, “Make America Great Again.”

Bonanu’s mural took inspiration from one on the east side of the Berlin Wall which depicts East German leader Erich Honecker kissing his Soviet counterpart Leonid Brezhnev. That mural, painted by Russian artist Dmitri Vrubel in 1990, is titled “My God, Help Me to Survive This Deadly Love.”

Dominykas Ceckauskas, the barbecue restaurant’s owner, said the mural was “predicting that if Russia and the USA would ever make out, it would happen in the Baltic states … with tongues or with tanks,” NBC News reported.

Photo credit: Linda Gasparello

Three months later, vandals whited out the mural, which had become an international sensation.

“The purpose of the attack was to remind us, the people of the free world, that there are still active advocates of authoritarianism in our society,” Ceckauskas said on the restaurant’s Facebook page.

He promised to reinstall the mural, which he called “a world famous symbol of liberty and defiance.”

Delivering on his promise, there is a new mural which depicts Trump and Putin sharing a joint: fellow authoritarians having a puff.

In the restaurant’s garden, there are two murals on the back wall. The first is inspired by “American Gothic,” American artist Grant Wood’s 1930 painting of a farmer and his daughter standing in front of a house with a gothic window. The farmer is holding a pitchfork. But in the mural, their heads are penises and the farmer, holding a trowel, is building a brick wall topped with barbed wire.

Next to that mural, the wall is painted black. At the top of this mural, these words are painted in stark white letters: “Dirty Mexican Wall.”

Eating Crepes with Gusto

I ate my first crepe in Paris, on a solo trip at age 12. I spent a week there in a youth hostel, under the wing of the Didac Agency, which placed teenaged American girls as au pairs in French families. The agency thought I was too young to be an au pair, even though I was already babysitting in Hingham, Mass., where I grew up. So they placed me with a gregarious family in the southwestern Landes province — the Albert Barrieus — as a companion for their children.

Photo credit: Linda Gasparello

With a limited budget and an unlimited curiosity about French food, a crepe was an easy choice for lunch on the day I checked out the Gare d’Austerlitz, from which I would take a train south to Dax, where I would meet my French family.

At the station’s buffet, I ordered a simple crepe au fromage. The crepe I ate at that buffet (one of Paris’s major train station buffets which the French railway authorities promoted as “gastronomical buffets” in 1960s) is the one by which I have judged all crepes for 50 years.

That delectable experience made me a train station buffet buff. My husband Llewellyn King is one, too. We have eaten very well in train station restaurants in Lyon, Brussels, London and Vilnius.

Vilnius’ Central Station was a short walk across a park from the Panorama Hotel, where we stayed during our recent trip to attend the annual congress of the Association of European Journalists. After taking a look at the old trains in a fenced-in museum park near the platform, we decided to eat at the station’s Gusto blynine. It is basically a Lithuanian IHOP. Lithuanian crepes (lietiniai su varske), American-style pancakes and Lithuanian grated potato pancakes (bulviniai blynai) were listed on seven pages of its 34-page menu.

We ordered spinach-and-curd cheese crepes, made with “traditional” wheat rather than buckwheat (grikiu) batter. They were made near our table in an open kitchen and served folded in a neat square, which kept the batter spongy and the filling oozy.

Photo credit: Linda Gasparello

Although we ate at a few other restaurants in the city, all superb, we returned twice to Gusto blynine. We ate more spinach-and-curd cheese crepes, crusty potato pancakes with fried bacon and hot soup, beetroot with fried ham and tomato with hot paprika.

One evening, we recommended the restaurant to some English and Irish colleagues, who were staying at the Panorama and wanted to dine nearby.

The next day, I asked David Lennon, a former Financial Times correspondent, where they went for dinner. “We found a nice Lithuanian restaurant, which had a lot of little rooms,” he said. “Somehow, I ended up eating a potato sausage. Whoever thought up such a thing?”

And to think that he could have eaten crepes with gusto, as we did at the railway station find.

Postcards from the Baltic Sea: Part I

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Cruise Shore Excursions: Theater off the Sea

By Linda Gasparello

To take or not to take shore excursions. That is the question for cruisers.

Having cruised on five continents, my answer is to take them. The guides are competent — mostly moonlighting high school teachers and college professors — and often they’re characters.

The first cruise my husband, Llewellyn King, and I took, on the Black, Aegean and Adriatic seas in the early 1990s with the now-defunct Royal Cruise Line, introduced us to shore tour theater.

In Constanta, Romania’s largest and most important port city on the Black Sea, our shore excursion guide was a droll fellow named Mikhail. We visited the city not long after dictator Nicolae Ceausescu and his wife, Elena, were tried by a hastily arranged military tribunal that was set up on Dec. 25, 1989, put up against a wall and shot, all within an hour. It was a city still in shock from 24-years of their mismanagement that brought food shortages in a country with dark, rich soil; torture and executions; and, most famously, state neglect of orphans and disabled children.

During our tour of the city, we stopped at a Belle Epoque hotel where, Mikhail told us, “Nazi leaders lodged comfortably in the early years of World War II.” The hotel manager made us feel welcome by setting out trays with tiny fruit tarts and small glasses of tuica (Romanian “white lighting” made from plums) on a large table in a paneled, ground-floor reception room. As we entered the room, the staff, who stood at the opposite end, watched as most of us sampled the tarts and tuica. As the last person in our group walked out of the room, I looked back and saw the staff make a dash for the table, grabbing whatever was left.

We traveled north to the Greco-Roman city of Histria. Mikhail gave us a detailed tour of the city, which was founded by Greeks in the 7th century BC and thrived for seven centuries. He interspersed his commentary about Histria, which became the richest city in Ionia (Asia Minor), with sarcastic comparisons to Romania’s “golden age under the Ceausescus.”

We returned to Constanta on a coastal road. Nearing the city, we saw thick pipes that seemed to stretch for miles along a beach. “That would be a beautiful beach, but the pipes lead to a chemical plant that Mrs. Ceausescu built. She had a doctorate in chemistry, but she did not even graduate from high school. Fancy that!”

Mikhail said Mrs. Ceausescu was nicknamed “Codoi,” referring to her mispronunciation of the chemical compound CO2 ( “C” for carbon, “O” for oxygen, and “doi” which is Romanian for “two”). He added that “codoi” was a word in Romanian, too, meaning “big tail.”

“Her big tail was her nose. She would kill anyone who took her picture in profile,” he said.

“These colors make us happy. They are good for our emotions.” Photo: Linda Gasparello.

For nine days this month, Llewellyn and I cruised the Baltic Sea on the Getaway, a Norwegian Cruise Line megaship. Anna, our guide on a day cruise along the Neva River in St. Petersburg, was a notable shore tour entertainer.

On the bus, as we drove from the cruise ship to the river boat, Anna told us that men in Russia were “as precious as diamonds. So ladies, hold onto your husbands. Do not lose them. And please send us your sons, nephews, brothers, uncles.”

Anna teaches Russian history in a St. Petersburg high school, and she wrangled us as though we were her students on a field trip. She taught us how to say “I love you” in Russian. “Ya lyublui vas. Just say, ‘yellow blue bus.’ We Russians are so emotional.”

The sunny day brought out what Anna called her “Russian emotions.” Pointing to the buildings decorated like wedding cakes along the river, many designed by the 18th-century Italian architects Bartolomeo Rastrelli and Carlo Rossi, she said, “Rastrelli, who built the Winter Palace, which you can see along the embankment, liked pale blues and greens, and Rossi liked pale yellow. These colors make us happy. They are good for our emotions.”

So, too, is vodka. Anna said, “When you have a cold, you drink vodka with lemon. When you have a headache, you drink vodka with pepper. And when you are depressed, you drink vodka.”

But the funny lady was serious about showing us St. Petersburg’s historical sights: no significant edifice on the banks of the Neva or ship moored on it (including the great, gray cruiser Aurora which fired the blank round at 9:45 p.m. on Oct. 25, 1917 that started the Bolshevik Revolution) escaped her commentary.

“Just look at the taste and temperament of Peter the Great. Here is his small, elegant Summer Palace. But across the river, on Vasilyevsky Island, is the Peter and Paul Fortress, which he designed. It was the Bastille of the tsars,” Anna said.

Across from the fortress, she pointed to the Soviet-era KGB (now FSB) headquarters. “That’s the ‘Big House,’ ” she said.

Those of us seated on the upper deck were grateful that Anna was serious about reminding us to duck when we approached one of the many low bridges across the Neva.

“Please keep seated,” she said. “But if you want to be like Catherine the Great and get rid of your husband, have him stand up.”

How emotional, how Russian.

Matroyshkas and Movies: A Souvenir Shop in St. Petersburg

You great, big, beautiful dolls. Photo: Linda Gasparello.

While I prefer to go to souvenir shops of my own volition, I’ve stopped resenting being shanghaied into them on cruise shore excursions. Sometimes, they’re sights that shouldn’t be missed, like the Grand Bazaar in Istanbul: a maze of souvenir shops.

After our Neva River day cruise, we were bussed to a cavernous souvenir store. Norwegian Cruise Line billed it as a “bathroom stop.”

It was just that, for some on our bus. But busloads of tourists, including many on ours, were just raring to hit the mirrored shelves laden with fur hats, amber jewelry, Faberge-style Easter eggs and matroyshka dolls — especially after getting emotional on complimentary cranberry vodka, served at the entrance by young women wearing traditional, red jumper dresses.

Against a wall, near one of the store’s side exit doors, stood colossal Presidents Vladimir Putin and Donald Trump matroyshka dolls. As I took a picture of them, I heard one shopper say, “Same size as their egos.”

The store occupies part of what was once a movie theater in St. Petersburg. The theater’s architecture is Stalinist big box. The huge concrete-slab marquee over the entrance advertised four movies or other events. Riveted onto cement columns near the entrance are metal sheets imprinted with scenes of bears frolicking in a forest, peasants threshing wheat, and people going about their business on a wintry day in St. Petersburg. There is one of Russian troops tending their wounded in the Crimean War – a war that stirs up sacred memories, leading to actions even unto this day.

Power Tower

More is more. That was the approach of the two greats, Peter and Catherine, and Empress Elizabeth asked their European architects to take in St. Petersburg.

Lahkta Center. Photo: Linda Gasparello.

The city’s historic center is a feast — a grand bouffe — of Baroque and Neoclassical buildings, including the Admiralty, the Winter Palace, and the Marble Palace. UNESCO designated it a World Heritage site in 1990, noting, “The unique urban landscape of the port and capital city of Saint Petersburg, rising out of the Neva estuary where it meets the Gulf of Finland, was the greatest urban creation of the 18th century.”

The more-is-more approach is operating today with the construction of the Lahkta Center, which includes a twisting glass-and-steel tower that will serve as the headquarters of the state-owned energy giant Gazprom. The project, which was proposed in 2005, has changed its name (as many times as St. Petersburg) and location, due to criticism from preservationists and residents that its 1,515-foot tower — which will be the tallest in Russia — would destroy the city’s horizontal harmony and violate a law prohibiting new buildings higher than 157 feet in the historic center.

In 2010, the project moved to a site northwest of Vasilyevsky Island, overlooking the Gulf of Finland. It is scheduled for completion in 2018.

Designed by the architectural firm RMJM London, the center’s website says “the tower bears more than a passing resemblance to a ship’s mast, while the building that lean against its base represent the hull. This theme continues through the wave-like bearing structures and the overall organic form of the building, both of which symbolize the power of the sea.”

The project already holds a Guinness World Record. Between Feb. 27 and March 1, 2015, it set a new record for largest continuous concrete pour, with 25,667 cubic yards poured over a period of 49 hours.

Some of the Lakhta Center’s remarkable innovations include:

  • It will be the first skyscraper in St. Petersburg to employ an ice formation-control system. To prevent ice accumulations and help maintain good visibility, the glass on the highest floors will be heated; and to prevent ice formation, the tower’s spire will be made of metal gauze.
  • The center’s lighting will be designed to make it bird-safe during migration in the fall and winter months, complying with the World Wide Fund for Nature and FLAP’s (Fatal Light Awareness Program) bird-friendly building program.

This project has Petrine boldness. While it could suit a man who would be a great, Putin, he has yet to weigh in on it.

 

Gallery

Neva River Sights

Street Life

Soviet Movie House / Souvenir Shop

Graffiti

Signs of Faith: Portuguese Culture Thrives in West Warwick, R.I.

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I live in the Riverpoint section of West Warwick, R.I., which I call “Portugal on the Pawtuxet River.” Riverpoint has a Portuguese American Citizens Club; the Jerry’s supermarket stocks Portuguese food brands, like Gonsalves; and there is a Portuguese bakery, Matos, in nearby Arctic Village – I recommend their three-bite, egg custard tarts, pasteis de nata.

Photo: Linda Gasparello

All around the circle at Riverpoint, but especially as you go up Providence Street to Arctic Village, you’ll see modest houses, each with baroque front yard landscaping: flowering cherry trees shaped like umbrellas, espaliered shrubs and statuary – especially Virgin Mary statues, either brightly painted or stark white.

Most of the Virgin Mary statues are adorned with plantings – often with perennials, like hostas, and sometimes with plastic flowers or small American and Portuguese flags.

In the backyard of a house near the Bradford Soap Works, there is an Our Lady of Grace statue: a Virgin Mary with outstretched arms, standing on the serpent Satan. The blue paint has largely peeled off her robe, but the snake hasn’t lost any of its black paint. It looks lifelike — and like it is headed into the poison ivy that is creeping closer to the statue.

Just off Riverpoint circle, there is a house where another Our Lady of Grace statue stands among well-tended hostas in a tiny plot along the driveway. I call her “Our Lady of the Hostas.”

I have a chit-chat friendship with the Portuguese American woman who lives there. Recently, when she saw me admiring the lush plants, she said, “I think Our Lady is smiling because the Pope has made saints of two Portuguese children.” She was referring to Pope Francis’s canonization of siblings Francisco and Jacinta Marto who, with their cousin Lucia Santos, reported that on March 13, 1917, the Virgin Mary made the first of six appearances to them while they grazed their sheep in Fatima, Portugal.

My favorite religious statue in Riverpoint is on East Main Street. It occupies the entire side yard of a house, where you’d expect to see a picnic table and benches or a circle of lawn chairs.

Actually, it is a tableau of brightly painted statues: a statue of Jesus is flanked by one of St. Anthony holding Baby Jesus and another of the Virgin Mary. Fourteen winged cherubs, hands clasped in prayer, stand at their feet. I can only surmise that the boys are dressed in blue, and the girls are dressed in pink.

Bygones Worth Remembering

My first encounter with the Portuguese wasn’t in Portugal. It was on a train from Paris to Dax in June 1968. I was 13 years old and I was headed to this spa town in southwestern France, whose thermal springs and mud baths have been noted for the cure of rheumatism since Roman times, when it was known as Aquae Tarbellicae. There I was to meet Monsieur and Mme. Albert Barrieu with whose family I would spend a few life-expanding summers.

The afternoon before I was to take the train to Dax, Madame Berri, who owned the suburban Paris agency that paired me with the Barrieus, warned me to get to the Gare d’Austerlitz early. “The trains to the southwest are crowded on Saturdays,” she said, handing me my ticket. It was going to be a long trip, over six hours, and I couldn’t wait to take it.

I was staying at a youth hostel at 11 rue du Fauconnier in the Marais – and 49 years later, the Hotel Fauconnier is one of three youth hostels in Paris. After a week in Paris, I was a Metro master; I knew it was about a 10-minute ride from the St. Paul station to the Gare d’Austerlitz. Even so, I packed my suitcase, showered and slept in my dress that Friday night. As I remember, I wanted to have more time to eat the breakfast the hostel laid out for the always-hungry youth: croissants, bread rolls, butter, apricot jam, and small bowls of coffee with hot milk.

Eating that breakfast turned out to be one of the smarter things I did that day.

I got to the station with a lot of time to spare. When my train was announced, I noticed that people where running down the platform and pushing into the cars, and shouting to each other in a language I couldn’t identify. I had a second-class ticket, and all those people seemed to be headed to second-class cars.

I couldn’t run fast because I was wearing wooden-soled clogs. By the time I climbed into one, all the seats in the compartments were taken – and all were taken in the other second-class cars.

As the train pulled out of the station, I placed my hard-sided, American Tourister suitcase in the aisle of one of the cars, and looked out the window. An unsympathetic conductor took my ticket and told me that I might have to stand a long time because “the train is filled with Portuguese, who are going back home for their national holiday.”

Clogs were the right shoes for standing for hours. I was alternately standing and looking out the window, or sitting on my suitcase looking at the Portuguese family across the aisle in a compartment.

About two hours into the trip, the father pulled down a couple of suitcases from the overhead racks. Out came the bread, the sausage, the cheese, the fruit and the wine.

A girl about my age asked her mother something. Then, through the open compartment door, she asked me in French if I wanted some of their lunch. I thanked her and helped myself to some bread and cheese. It was the first time I had eaten a papa seco – a soft, baby bottom-shaped roll. Poof went my memory of the hostel’s petits pains.

The train arrived in Dax in the late afternoon. I got off and waited for M. and Mme. Barrieu on the platform, as Mme. Berri had told me to do. A blonde woman accompanied by a teenaged girl looked at me for a while. They spoke with each other, shook their heads and walked away. No one was left on the platform but me, so I took a seat – and I was happy to do so.

After a couple of hours, the station manager approached me. “Are you still waiting for someone?” he asked.

I told him that I was supposed to be picked up by Monsieur and Mme. Albert Barrieu who live in Pouillon. “It is a village not far from here. Do you have a telephone number?”

Just as I was reaching into my dress pocket to get it, I saw the blonde woman with the teenager walking toward us.

“Are you Linda?” she asked.

“Yes,” I said.

Mme. Barrieu’s blue eyes filled with tears of relief. “We are so sorry. We saw you, but we thought you were Dutch,” she said.

They were confused by the tag on my American Tourister suitcase, which looked like the flag of the Netherlands, and by my clogs.

 

All photos by Linda Gasparello

Linda Gasparello is the co-host of “White House Chronicle” on PBS. Her e-mail is lgasparello@kingpublishing.com.

Cities, I Know Them by Their Bread

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By Linda Gasparello

I’ve always associated cities with bread. Boston, south of which I was raised, I associate with oatmeal bread. Washington, D.C., where I spent most of my life, I associate with white bread — the Wonder kind.

New York, where I lived for a few years, I associate with seeded rye bread. If you said “New York” to me, I’d think of the malty, sour taste of the rye flour, the slight licorice flavor of the caraway seeds and the fight my teeth would have with the crust. Seeded rye bread is assertive, like New York.

My husband, Llewellyn King, and I have lived in Rhode Island for nearly five years. But I don’t yet associate a bread with Providence. This is curious because the city abounds with artisan and ethnic bread bakeries, especially Italian and Portuguese.

What’s really curious is that restaurants in Providence and around the state don’t routinely bring you bread at some point between sitting down and getting your food.

Restaurants serve bread for a number of reasons. Here are two: Traditionally, serving bread has been a way to welcome guests; and practically, a basket of bread or a small loaf keeps guests happy before the food arrives.

When the poet Omar Khayyam said ecstatically, “A jug of wine, a loaf of bread – and thou,” he was sitting beneath a bough with his beloved, reading a book of verses. Just think, if the 11th-century lovers were alive today, they’d be sitting in a Persian restaurant (alas, there isn’t one in Providence), reading their menus and eating nan-e barbari, a flatbread with pillowy ridges.

I could associate Providence with a flatbread that is ubiquitous in the city: pizza. Providence is a welcoming city. It’s not a stretch to associate pizza with the share-a-slice-with-us welcome that my husband and I have gotten from the city.

It’s Comedy and a Concert Tonight!

Last October, I was introduced to the Rhode Island Philharmonic Orchestra by a friend who sings with the Providence Singers. Under the superb direction of guest conductor Bramwell Tovey, the orchestra and singers performed Mozart’s “Requiem Mass in D Minor” on Oct. 15.

Before stepping onto the podium, Tovey told the bizarre story of how Mozart got a commission from a court intermediary to write a piece commemorating the death of Count Franz von Walsegg’s young wife, Anna, which the pretentious count could pass off as his own. The musical heavyweight died, at 35, while writing the requiem.

Tovey’s lecture came as a surprise to me. Conductors, in my symphonic concert-going experience, never spoke and carried a small stick. My friend told me that the orchestra’s musical director, Larry Rachleff, loved to talk to the audience: It was his schtick.

For 21 seasons, until his retirement from the orchestra on May 6, Rachleff often gave short lectures before he lifted his baton. He is a noted music educator, and currently holds the Walter Chris Hubert Chair at Rice University’s Shepherd School of Music in Houston, where he lives with his wife, mezzo soprano Susan Lorette Dunn, and their young son, Sam.

Rachleff is also a skilled standup comedian, as I found out during his farewell concert on May 6.

The performance of the second piece he chose, Joseph Canteloube’s “Songs of the Auvergne,” was delayed to deal with an offstage problem with the soloist’s – his wife Susan – gown. For about 15 minutes, Rachleff summoned all his comedic talents: He told a story about how his family had encountered a naked woman in a lobby of a hotel in Geneva. When someone walked onstage with his score, he joked, “Usually the librarian hands me the score, but tonight she must be otherwise engaged.”

His adoring audience laughed, and they cried when he took his final bow.

Cry Me a River

“In rivers, the water that you touch is the last of what has passed and the first of that which comes; so with present time,” said Leonardo da Vinci.

For nearly a week, if you dipped your hand into the Pawtuxet River at Riverpoint in West Warwick, R.I., you’d touch mounds of filthy foam and pieces of white styrofoam blocks.

From morning till night, I watched this dreck float down the river, collect on the banks and cascade over the dam. I watched pairs of mallard ducks and flocks of geese wading in the smelly suds trapped in the shrubs on both banks. I watched cardinals and other birds, that usually stop for a bite at my neighbor’s porch feeder, pick at the styrofoam icebergs and carry off pieces, presumably to their nests in the wooded banks.

I took pictures and reported this to Anna Cole, a technical staff assistant at the state’s Department of Environmental Management. She dispatched Robert Fritsche, an environmental scientist the department’s Bureau of Environmental Protection, Office of Compliance and Inspection, with impressive speed.

My husband has praised Rhode Island’s beauty in columns in The Providence Journal, on our television program, “White House Chronicle,” and on Rhode Island Public Radio. Now I praise the government for taking the preservation of that beauty seriously.

Above: Pawtuxet River at Riverpoint in West Warwick, R.I., Photos by Linda Gasparello.

Signs of the Times, Modern and Ancient

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I take the train a lot from Providence, R.I. to Washington, D.C. For a long time, it passes through what people would call the most beautiful scenery of the trip: the Connecticut shoreline. And for a short time, it passes through what they would call the most blighted scenery of the trip: the walls along the railroad tracks between North Philadelphia and 30th Street Station.

Katharina Grosse, psycholustro.

But I look forward to the beauty in the blight along that stretch of the trip. I’ve seen some of the most stunning artwork on those walls and buildings along the tracks, one commissioned, like contemporary German artist Katharina Grosse’s “psychylustro” — a warehouse with windows that look as though they were blown out in a blaze of orange and white – but most done by anonymous artists. Whether their frenetic art is benign or malign, I don’t care. It transforms my trip.

I work the graffiti on the walls the way people do the difficult crosswords in London’s Sunday Times. There is meaning, sometimes clear, in the words on the walls. On the walls, I read, “ZeroSmyle,” and I sympathize with the graffitist. Skrew, a loud graffitist, spray-painted a message — maybe for China — on a wall, “Drama, Tibet.”

I think about what master graffitist Banksy said in “Wall and Piece” about these artists, “Some people become vandals because they want to make the world a better looking place.”

Photo: Linda Gasparello.

One person’s defacement is another’s decoration. I’ve enjoyed grafitti on walls or buildings all over the world. Vienna has some of the most magnificent graffiti. I like to take the hydrofoil between Vienna and Bratislava, Slovakia, so that I can see the museum of temporary art along the Danube walls.

While living and traveling in the Middle East, I’ve seen graffiti galore — and one of the best writs on a trip to the Greco-Roman city of Ephesus in Turkey. Carved on a pillar near the city’s brothel – the “Love House,” as it was called by the ancients – a guide said there is some advice to lovers and other strangers: “One night with Venus, a lifetime with Mercury.” Mercury was the ancient treatment for syphilis.

The ancients were always kissing and telling on prostitutes. “Second only to the master of us all, Clodia has become the most discussed person in Rome. Versus of unbounded obscenity are scribbled about her over the walls and pavements of all the baths and urinals in Rome,” Thornton Wilder wrote in his epistolary novel “The Ides of March.”

Now, back to the future. Donald Trump’s presidency has revived the art of the protest sign and placard, not seen since the nation’s hippie days. Gitta Hasing, who I’ve known since she was a child, participated in January’s Women’s March and last week’s March for Science in Washington. She and her husband are biological scientists.

Neither wind nor rain could keep Gitta, her toddler son and her parents from marching on the Mall. She is a talented photographer and took pictures of protesters and their signs in both marches in the same exacting way she photographed parts of North and Central Florida trees for a book, published by the University of Florida.

If Paris is The City of Light, Washington is The City of Sayings. They are carved on government building walls, museum and monument walls, and plazas. The one that always makes me cry is part of the last verse of Walt Whitman’s Civil War-era poem “The Wound-Dresser,” carved in the granite around the Dupont South Metro entrance:

Thus in silence in dreams’ projections,
Returning, resuming, I thread my way through the hospitals,
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night, some are so young,
Some suffer so much, I recall the experience sweet and sad

Photo: Linda Gasparello.

Two days before the March for Science, as I was sitting on a wall at the Watergate, waiting for Gita’s mother to arrive for a performance of Ballet Across America at the Kennedy Center. I looked up at two signs hanging from a street light near the Embassy of Saudi Arabia. The blue sign read “The Kennedy Center, JFKC: A Centennial Celebration of John F. Kennedy” with his picture – his 100th birthday would have been May 29, 2017. The orange one read, “Courage, Freedom, Justice, Service, Gratitude.”

Trump can’t take those words away from me. They’re carved in my memory and the memories of millions of Americans. And a sign with bold hand lettering, posted on a pillar at Cafe La France in the Providence Amtrak Station, proves that so well:

WE WELCOME

ALL Races

ALL Religions

ALL Countries of Origin

ALL Sexual Orientations

ALL Genders

We Stand With You

You Are Safe Here

 

 

March for Science on the Mall — Photos by Gitta Hasing

The Coptic Crisis: A Story of Benign Neglect by Anwar el-Sadat

Church of St. Barbara, Cairo

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By Linda Gasparello

Forty years ago, I attended Easter Sunday mass at the Church of St. Barbara in Old Cairo, also known as Coptic Cairo, on the east bank of the Nile. I was a graduate student at the American University in Cairo, and this was my first Coptic mass. At it, regrettably, I had a front-row seat to the routine disrespect Coptic Christians suffered in Egypt under President Anwar el-Sadat.

The Church of St. Barbara is a fine example of Coptic architecture with its white plaster walls, marble double-colonnaded nave and timbered roof, carved cedar pews, and rare, gleaming icons. It is one of the most popular in the district, and it quickly filled to capacity.

No sooner had the mass begun, when I heard the sound of firecrackers outside the church. The noise pierced the solemnity of the mass, but the congregation took no notice and prayed on.

During the communion, a man in a suit, accompanied by two other men, marched down the center aisle of the church. The man in the suit was a government official, I was later told. In a symbolic gesture meant to mollify the Copts, who comprised about 10 percent of Egypt’s population, government officials made appearances at churches during Christmas and Easter.

The three men pushed into a pew, sat down and started chatting with each other. The congregation brushed away this disruption of the holiest part of the mass as easily as street flies. A woman sitting behind me muttered, “Ma’alesh.” In Egyptian dialect, she said, “It doesn’t matter.”

The Copts were used to disrespect and, far worse, persecution, which they had suffered since St. Mark founded the Coptic Orthodox Church in Alexandria around 43 A.D. In fact, the Church of St. Barbara stands on the site of a church dedicated to St. Cyrus and St. John in 684 A.D. that was destroyed during an Arab assault. The story goes that when some Christians from Damanhur, a city about 100 miles northwest of Cairo, including Cyrus and John, confessed to their faith, they were shot with arrows, burned in a furnace, tied to a horse’s tail, dragged through the streets and survived – to be beheaded. One of the church’s chapels contains the remains of St. Cyrus and St. John; another contains relics of St. Barbara, a beauty from the Greek city of Nicomedia, whose pagan father had her tortured before he beheaded her in 306 A.D.

The Copts were being excluded from the “new society” plan that Sadat had highlighted on his trip to Washington, D.C., just a week before Easter. The Egyptian president held his first meeting with President Jimmy Carter on April 3. In his toast at a state dinner on April 4, Sadat said, “Mr. President and dear friends, as you know we are embarking on an ambitious program to rebuild our society along lines which ensure more justice and equal opportunity. We are revitalizing our system with a view to enable it to cope with the immense problems we encounter, old and new. We are determined to build this new society on ideals of faith in human dignity, which we inherited from the ancient Egyptian civilization. This heritage has kept us united together and optimistic in the face of the most difficult of challenges.”

Actually, Sadat’s state was falling apart. It ceded to the religious institutions the provision of education, financial assistance and health services to the public. Sadat, who was a devout Muslim, allowed Islamist groups to flourish in society and on campuses, countering the leftist and Nasserist domination of them. Religion – an emboldened Islamism — was replacing the “Egypt for the Egyptians” nationalism of Nasser as the country’s foundation. There was a rising level of disregard for the Copts, who became increasingly fearful for their future. In 1977, there were clashes between Muslims and Copts in Upper Egypt.

I should have left the Church of St. Barbara with a sense of joy — the mass was beautiful. Instead, I left with one of foreboding: I thought the rise of the Islamists and their disrespect of Copts, condoned by the government, would lead to mass deaths.

And so it did – to Sadat’s death and to hundreds of deaths of Muslims and Copts, including at least 45 in two church bombings by ISIS on Palm Sunday.

 

Photo: August 11, 2012 Church of St. Barbara, Cairo, Nadia Ismail. Used under the Creative Commons 2.0 Generic License

Argonne National Laboratory Diary

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By Linda Gasparello

Where Scientists Sleep

Last week my husband, Llewellyn King, and I abandoned the delights of West Warwick, R.I., to visit Chicago – actually, a part of Chicagoland that few visitors get to see.

Llewellyn was a speaker at a conference held at Argonne National Laboratory, just outside of Chicago. Argonne is the multidisciplinary science and engineering research center, born out of the University of Chicago’s work on the Manhattan Project in the 1940s.

The lab, which occupies 1,500 acres, came as a total surprise for our Uber driver, a Chicago native who used to drive trucks professionally. “I’ve driven past this place many times, but I never knew what was goin’ on,” he said.

We had some difficulty finding Argonne’s Main North Gate and delay getting our ore-arranged passes. Once cleared for entry, we had to drive behind a security vehicle to our hotel: the Argonne Guest House, which is Building 240 on the “campus.” It is where most people stay for conferences, short research visits and invited tours of the site, thus avoiding the main security gate rigamarole.

Our driver thought all this cloak-and-dagger stuff was a hoot, but Llewellyn, who has visited Argonne many times, wasn’t entertained. He wanted his dinner and a glass, or two, of red wine.

The guest house is a fine example of 1970s university dormitory architecture, more Brutalist than humanist. But what the building lacks in design, it more than makes up for in setting: It backs onto some of the Argonne site’s wooded acres.

The lobby and the guest rooms don’t inspire one to linger. But you might want to hang out with colleagues in the elevator lobby on any of the guest floors. Each has comfortable club chairs, equipped with wooden swivel trays and a huge whiteboard hanging on a wall – perfect for a pre-breakfast solving of isotope burn-up equations.

Zen at Work

The Zen garden in the seven-story Theory and Computing Sciences Center. Photo: Linda Gasparello.

As you drive up to the Theory and Computing Sciences Center on the Argonne site, your heart will beat a little faster: This building – Building 240 — with its jutting, pierced concrete slabs and glass walls, houses state-of-the-art supercomputing systems. You sense from its great, gray exterior that the interior won’t be filled with floors of sensory-deprivation cubbies for techies.

It isn’t. The building, according to the lab, “was designed to be an open and flexible workspace to encourage the free flow of ideas between scientists at Argonne as well as the technology to connect researchers across the globe.” Its seven stories wrap around a Zen garden.

There are cloth-lined cubicles with whiteboards — on some of which I saw scrawled equations. But on the ground floor no glass walls separate them from the garden. Surely, gazing at the garden and ambling around it through the open hall must reduce workers’ stress; unless you’re a worker who is stressed by the thought of a snake curled up in your cubicle.

The garden’s raked, gray gravel sits upon dirt and occasionally critters – frogs, rodents and even garden-variety snakes — break through the garden’s surface and can be found among its plants and rocks.

“We like ’em. They’re engineers,” one ground-floor worker told me.

Behavioral Science

Door sign in the Theory and Computing Sciences Center. Photo: Linda Gasparello.

“Scientists are literal.” That’s how Gilbert Brown, director of the nuclear engineering program at the University of Massachusetts Lowell, explained why the Theory and Computing Sciences Center’s bathrooms are called “toilet rooms.”

“The rooms have toilets but no baths,” he said.

Makes sense to me.

When I pointed out to another nuclear engineer that all the push pins on a bulletin board outside the center’s conference room were placed in a rectangle, he said unhesitatingly, “Scientists are neat as pins.”

Doe, Oh, Dear

The white fallow deer herd that has roamed the Argonne site since the lab’s inception in 1946 – and has caused visitors sometimes to speculate on the nature of the experiment that produced their unusual coloring – has dwindled to one doe.

“Prior to 1946, part of the land that is now Argonne was the country estate of Gustav Freund, inventor of ‘skinless’ casings for hot dogs. Freund had a small herd of the deer on his estate for several years. The naturally light-colored species – Dama dama – are native to North Africa, Europe and parts of Asia.

“When the federal government purchased the property, it was believed all of the herd had either been given away to parks and zoos or destroyed by the local game warden. It turned out there still were two does on the property, and one gave birth to a buck. The herd created from these three deer became a fixture on the Argonne property and a topic of interest and conversation for employees and visitors alike,” Donna Jones Pelkie wrote in Argonne Today, a lab publication.

Unfortunately, the white fallow deer didn’t reproduce at a normal rate because of a lack of genetic diversity; even when they do reproduce, they only give birth to one fawn per year – unlike the fecund, native white-tailed deer which also roam the site. The fawns were prey to coyotes, which have become city slinkers.

Efforts to preserve or replenish this historic herd were stymied by state regulations, which not only would’ve required any new white fallow deer brought onto the site to be deemed “livestock,” but also would’ve made Argonne responsible for the herd’s maintenance, including penning, feeding and veterinary care.

So the lab opted for natural attrition, which comports with “its thinking of keeping natural areas in balance with the native ecosystem,” according to the Jones Pelkie story.

Ireland Diary: Dublin and Kilkenny

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By Linda Gasparello

“But real adventures, I reflected, do not happen to people who remain at home: they must be sought abroad.” — James Joyce, “Dubliners”

Ireland is always an adventure.

My husband, Llewellyn King, and I have traveled there frequently since the early 1980s. Our first trip, on which we drove with friends from Dublin to Dingle, gave us some of our most memorable impressions of the country.

Nearly every summer from 1989-2010, we traveled to Ballina, Co. Mayo, in the west of Ireland, to participate in the Humbert Summer School (named after one of Napoleon’s generals, Jean Joseph Amable Humbert), founded by journalist John Cooney for “the study of Ireland and Europe.” It was a Brigadoon-like event, attracting academics, politicians, musicians, writers and many faithful regulars – who Cooney called “Hubertians” — from all over Ireland and abroad.

The school’s sessions took place in many Mayo venues, from Moyne College and Murphy Brothers Bar & Restaurant in Ballina to the Golden Acres pub in Kilalla and Bessie’s Bar in Kilcummin — a beachead on the county’s northern coast, where a French expedition commanded by Gen. Humbert landed on Aug. 22, 1798, in an attempt to assist Irish rebels during the 1798 Rebellion.

During those summers Humbertians did a lot of thinking, heightened by a lot of drinking.

Shortly before the election, Llewellyn and I traveled to Ireland to attend the Association of European Journalists’ (AEJ) annual meeting, held in Kilkenny this year. The association skirts the high cost of holding meetings in Europe’s big cities by holding their annual in small ones, like Maastricht, Netherlands, Burgenland, Austria and Sibiu, Romania.

In addition to its serious purpose, the AEJ annual meeting has much of the fun and good fellowship as did the Humbert School. A few of its members were also Humbert regulars, including our friends David Haworth, who lives in Brussels and writes for The Irish Daily Mail, and Joe Carroll, who covered Washington and the Clinton White House for The Irish Times.

“There’s no friends like the old friends,” Joyce also wrote in “Dubliners.”

Two Celebrations in Dublin

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The 12th-century Kilkenny Castle from the porch of the Rivercourt Hotel. Photo/Linda Gasparello

Christmas is nearing in Ireland. The shops on Dublin’s O’Connell Street, the city’s main thoroughfare — and one of the widest in Europe — are brimming with decorations and merchandise. But even as the Irish start celebrating the holidays, they have not yet finished celebrating the centenary of the 1916 Easter Rising, which set Ireland on the path to its independence in 1922.

The holiday light vines on the lamp posts in front of the General Post Office on O’Connell Street illuminate banners that say, “Dublin Remembers 1916.” Walk down the street to Eason and you’ll see the bookstore’s front display tables laden with 1916-23 histories, from Fearghal McGarry’s “The Rising Ireland: Easter 1916 to Tim Pat Coogan’s “DeValera: Long Fellow, Long Shadow.”

Abeba, an Ethopian woman visiting Dublin, leafed through Sinead McCoole’s “Easter Widows: Seven Irish Women Who Lived in the Shadow of the 1916 Rising.” She told me, “ I took the 1916 bus tour. Now I want to read about women of the time.”

She had taken Dublin Bus’s “The 1916 Tour — Beyond Barricades,” in which on-board actors and film immerse passengers in the rebellion. “Dublin was in flames, and you really felt like you were there,” Abeba said.

The previous day, a bank holiday, my husband and I had taken the hop-on-hop-off bus tour. One loop included Kilmainham Jail, where the seven signatories to the declaration of The Provisional Government of the Irish Republic were executed from May 3-12, 1916.

Our driver told us that he had named his daughter Grace, after Grace Gifford, a gifted artist and cartoonist who was active in the Republican movement. Gifford married her fiance Joseph Mary Plunkett in the jail’s chapel only a few hours before he was executed for being a leader of the rebellion.

As we neared the jail, our driver sang a refrain from “Grace,” often sung by the late Jim McCann of The Dubliners folk band fame:

Oh, Grace just hold me in your arms, and let this moment linger,
They take me out at dawn and I will die.
With all my love I place this wedding ring upon your finger,
There won’t be time to share our love, so we must say good-bye.

Our driver told us that Kilmainham is a very busy site, and prebooking tickets is essential, especially during this centenary year. However, he said, there is easy access to the General Post Office on O’Connell Street, where our tour ended and where the Rising began.

“It came under heavy bombardment for a week. You can still see the bullet holes on the pillars and walls. Gutted by fire, it did not reopen until 1929,” he said.

The Rising began on April 24, 1916, and lasted six days. Early Easter Monday, 1,200 members of the Irish Volunteers and Irish Citizen Army, under the command of Patrick Pearse, a Gaelic scholar, schoolteacher and poet, and James Connolly, founder of the Irish Socialist Republican Party, with others seized the General Post Office on Sackville Street (now called O’Connell). On the building’s front steps, Pearse read the declaration, addressed to “The People of Ireland” and signed by himself, Connolly, Plunkett and four others.

Almost 500 people were killed in the Rising, more than half were civilians. More than 2,600 were wounded during heavy British machine-gun fire, shelling and fires that left parts of inner city Dublin in ruins.

Ireland got its independence from Britain in 1922, amid much strife and bloodshed. But the Irish state has retained close ties with Britain and is the only European Union country that it shares a border with.

It is sad and ironic that Ireland is not only celebrating the start of the British exit from their country in 1916, but it is also concerned about the start of the British exit from the EU – Brexit — next year.

Kilkenny’s ‘Medieval Mile’

If you’ve ever been daunted by a walking tour of a medieval European city, say Prague, then Kilkenny’s “Medieval Mile” will delight you.

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The Black Abbey, founded in 1225 and named after the Dominican order of monks, known for their black capes. Photo/Linda Gasparello

“Good goods sometimes come in small parcels,” Colette Byrne, CEO of the Kilkenny County Council, told the Association of European Journalists.

Just a mile-long, circular walk in Kilkenny (Ireland’s capital in the Middle Ages), Byrne said, will take you past a number of its marvels, including the 13th-century St. Mary’s Church, whose graveyard has a rare and significant collection of tombs, and The Black Abbey, founded in 1225 by William Marshall, Earl of Pembroke, for the Dominican order of monks, known for their black capes. The abbey is famous for its five-gabled, stained glass Rosary Window.

Along the mile, there are plenty of non-medieval buildings, notably the limestone Thosel Town Hall which dominates the High Street. Its name comes from two old English words “toll” meaning tax, and “sael” meaning hall. Built in 1761, it served as a custom house and guildhall – today, it’s where Kilkennians pay their taxes.

Across the street from the town hall, there is the Hole in the Wall: a tiny tavern in the inner house of a Tudor mansion built in 1582, and Ireland’s oldest surviving townhouse. Around 1660, in order to gain access from the High Street to the rear of the inner house, a hole was punctured in a wall.

“It was a favored haunt of Captain Arthur Wesley, who was stationed at Kilkenny barracks before being seconded to the British army in Spain and India, and eventually becoming the Duke of Wellington and British prime minister. Later it developed a reputation of ill renown due to duels, arguments, highwaymen, etc., and this led to its eventual demise,” a Hole in the Wall brochure says.

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Standing in front of a pair of ghoulish murals, a visitor asks a local woman for directions to the High Street. Photo/Linda Gasparello

On St. Kiernan Street, behind the High Street on the circular walk, there is an inn with a notorious past: Kyteler’s. Ireland’s only witch trials took place in Kilkenny in 1324 – supposedly, they were Europe’s first witchcraft trials. Dame Alice Kyteler, an innkeeper and moneylender, was accused of using poison and sorcery against her four husbands, having amassed a fortune from them. Before she could be tried, Alice pulled strings and fled to England, but her maid was flogged and burned at the stake.

Down the street from Kyteler’s, there is long mural, commissioned by the Keep Kilkenny Beautiful Committee in 2013, with ghoulish images: ghosts, black cats with bared teeth, and a warning that “witches are amongst us.” Behind it, another is in the works: a blue-faced woman in a white dress, lying on her back, either asleep or dead. This mural seems to float above the one in front of it.

Kilkenny is a haven for muralists. Cast your eyes up on the High Street, and you’ll see a cheery pink wall of the Smithwick’s Brewery. Cast them down, on a corner of Friary Street, and you’ll see a black cat with a curled tail, waiting to cross your path.

On all our trips to Ireland over the years, Llewellyn and I don’t know how we missed this magical little city.

→ See more photos from Kilkenny in our photo gallery here.

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A man pushes a stroller down the High Street, as a painted black cat waits to cross their path on the corner. Photo/Linda Gasparello

‘American’ Middle East Universities in Danger

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By Linda Gasparello

The attack on the American University of Kabul opens a new chapter on impeding access to liberal education in Afghanistan. It is a chapter that could be opened in as many as 18 American universities across the Middle East and North Africa.

The American University, located on five acres in the Afghan capital, opened in 2006. It is the only private, not-for-profit and co-educational university in the war-devastated country. It offers its 1,700 full- and part-time students a liberal arts and sciences curriculum taught in English. Many receive U.S. government-funded scholarships.

In 2008 then-first lady Laura Bush — who made access to education in Afghanistan one of her causes — helped to secure $42 million in funding from the U.S. Agency for International Development for the American University. The State Department reportedly considers it to be an important symbol of the partnership between the United States and Afghanistan, and it has educated many Afghan government and non-government group officials who are trying to build a modern country.

Other American universities in the Middle East and North Africa – between nine and 18 – that receive U.S. government support also promote critical thinking and a liberal arts and sciences curriculum. The oldest of these, the American University in Beirut, has been doing so since its founding by American missionaries in 1866 as the Syrian Protestant College. Its mission statement says, “The university believes deeply in and encourages freedom of thought and expression and seeks to foster tolerance and respect for diversity and dialogue.”

As Michelle Evans, student life coordinator at the American University in Cairo (AUC), the second-oldest American-brand institution in the Middle East, told U.S. News & World Report, “The mission and values of an American university is to cultivate a well-rounded, independent thinker who is ready for the challenges of the world.”

As a graduate student on a U.S. government-funded scholarship to AUC in the late 1970s, I saw how important it was to have such an institution in a country that was trying to modernize. AUC students were exposed to so many more courses and ideas than students at the national universities, including Cairo University, who took classes only within their discipline. I felt they would be the most ready and able to carry out the “opening up” (or infitah) to the West that President Anwar Sadat was beginning in 1977.

Remarkably, as strongholds of Western education and values, AUC and other universities did not suffer lethal attacks during the civil wars in Lebanon, Arab anger at President George W. Bush’s invasion of Iraq, or the Arab Spring. But there have been attacks on them, and I experienced one at AUC in 1977.

On a January afternoon, I was enjoying coffee with friends in the interior garden of the university when we heard a faculty member shout,“There’s a riot outside. Go home! Go home now!” Rioters pelted the university with stones, breaking windows. The stoning stunned everyone because the university — and America — was held in such high esteem in Egypt. The school’s librarian, a well-born Egyptian matron, said to me, “Who would do such a thing?”

We soon learned just who.

Thousands of poor Egyptians took to the streets in anger over Sadat’s economic liberalization, specifically a government decree lifting price controls on bread and other basic necessities, acceding to an International Monetary Fund request. The countrywide Bread Riots lasted for two days, and rioters destroyed 120 buses and hundreds of buildings in Cairo alone. But the American University was spared.

The Bread Riot protesters threw rocks; today’s Islamists, motivated by ideology, will toss bombs.

The attack on the American University of Kabul was a seminal event. Now the venerated American universities in the Middle East and North Africa will be even more vulnerable than they already are. — For InsideSources