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Notebook: Theater as It Should Be; Fish and Chips Disappearing in U.K., Plentiful in NE; The Myth of the Frozen North

November 6, 2017 by White House Chronicle Leave a Comment

Little Arctic, R.I. and Its Amazing Theater

Arctic Impresarios: David Vieira (left) and Jim Belanger. Photo Credit: Linda Gasparello

Theater should be readily accessible, affordable and good. For me, the ideal theater experience has always been to pop off to the theater at the last moment and get an affordable seat.

There was a time when you could do that in London and New York. But theater-going has become an expensive chore, both in the West End and on Broadway: Buy exorbitant tickets far in advance, drive, park and get a bill for the evening which can run to over $500 for two.

Not so where I live — just down the street from the amazing Arctic Playhouse, which is to theater what food trucks are to restaurants: accessible, affordable and good.

The Arctic Playhouse is by any measure an anomaly. It just shouldn’t be. Arctic is a distressed hamlet in West Warwick, R.I. Once, it was prosperous shopping area near working textile mills. Now it has fallen on hard times, having lost its retailing base to shopping centers. Washington Street, its main street, has boarded-up shops and a pervasive sense of decay.

But Arctic has live theater at the Arctic Playhouse: a very modest but nonetheless effective theater space where, for under $15, you can see what is often a damn good show. The theater, by the way, will be moving to a larger space on the same street.

I write this in the warm glow of having just seen such a show with my wife: “I Love … What’s His Name?” As its subtitle says, it’s a cabaret about confusion in love in the 21st century.

We were dubious, but we really like the spirit and intimacy of our neighborhood theater and its energetic impresarios, Jim Belanger and David Vieira.

So we ate a light supper and drove a few minutes to be enchanted by a clever review, well-executed by a topnotch cast, including co-creators Rachel Hanauer and Jeff Blanchette, Angela Jajko, Jessica Gates and supported with industrial-lifting, as it were, from pianist Bob Logan.

The cabaret featured a series of ballads and patter songs — some by musical greats, like Tim Rice and Stephen Sondheim — about dating. Very modern, too: Cell phones play a big part in a show that is funny, tuneful and rip-roaring good entertainment.

I’ve always said you don’t need a palace to put on a good show, just good players. It’s about the play and the players, as Shakespeare said in “Hamlet,” not the venue. Arctic proves that, production after production. Local fun in a clubby atmosphere with free cookies, decaf coffee and popcorn, and a full, cash bar.

Give my regards to Broadway, but you won’t be seeing me in many a day.

If You Want Great Fish and Chips, Try New England

Rightly, you think the national dish of Britain is fish and chips. Well, maybe not anymore.

It is increasingly hard to find fish and chips in Britain and Ireland. Not impossible, but harder than it was when there was a fish-and-chip shop, known as a chippie, almost on every corner.

The other shocking thing is that the fish and chips in the chippies, when you find them, are likely to be squeezed in with other fast food —hamburgers, sausages and even lasagna.

What you are more likely to find in every town or village is an Indian or Pakistani restaurant. In fact, I’ve read it argued that the national dish of England is no longer fish and chips, but curry and rice.

But I’m delighted to report that some of the best fish and chips to have crossed my plate in a long time are to be found in New England, particularly in Rhode Island. Almost every restaurant and bar has very good fish and chips. Excellent, in fact, but missing that standard of the British Isles version: mushy peas. You don’t have to have them with your battered cod in the U.K., but you’d be missing the full experience if you don’t.

Mushy peas are, as they sound, peas cooked to produce a mush. Sounds disgusting, eh? Well, they’re delicious.

Why, I wonder, with so much excellent haddock around, is there no smoked haddock to be had? Finnan haddie is just not on sale among the wonders of the sea in every supermarket. The Brits like to eat it at breakfast, and the French serve it as a main course. My wife, Linda Gasparello, who grew up in Hingham, Mass., says finnan haddie and cod cakes were regular offerings on South Shore menus.

Very good too. Ladies and gentlemen, start your smokers.

The Myth of the Frozen North

We moved to Rhode Island from the Washington, D.C. area five years ago and we still shuttle back and forth with some regularity. It is hard to be a journalist and not be drawn into the Washington maelstrom.

We sing the praises of Rhode Island as loudly as operatic stars. We go on about its great food, wonderful beaches, fabulous architecture and nice people.

But people in Washington, and elsewhere in the country, believe that we live in igloos, kept warm at night by a five-dog team of huskies. They believe the cold dominates our lives and that we drive Humvees to get through the snow.

It’s not an argument we have been able to win. But the fact is the climate in most of New England is much better than the climate down in the nation’s capital where the summers are insufferably hot and humid and the winters can be as cold as they are in Providence. There is less snow there, but everything ceases up when it does snow —usually a big one every year.

The pathological fear of cold keeps people away and living in worse climates. Pass the grog.

Filed Under: King's Commentaries, Random Features Tagged With: Rhode Island, theater

Notebook: The Limits of the Writing Life for a Journalist

May 8, 2017 by Llewellyn King Leave a Comment

As opportunities in journalism have tightened, many of my colleagues have tuned to writing books. I admire them. Actually, I more than admire them: I’m astounded by them.

Among them is my friend Richard Whittle, a former Pentagon correspondent for The Dallas Morning News, who has written two first-rate books. His first was about the V-22 Osprey vertical takeoff aircraft and his second was about drones.

Whittle is hard at it on a third. He tells me that he loves his second career – and, as an elegant writer and an impeccable reporter, he’s doing well.

I’m frequently asked why I don’t take this path and write books about the subjects I know something about or, to be exact, subjects about which I’m supposed to know something. The answer is simple: fear. Not fear about my ability, but fear of boredom. Fear of waking up every day and having to take up where I left off the day before.

The peripatetic journalistic life suits me; maybe too well. I love the idea that each day could bring something new, unexpected and thrilling, just because it’s new.

Like many newspapermen, I answer phones with alacrity because the next call might, as it says in “The Rubaiyat of Omar Khayyam,” could “in a trice life’s leaden metal into gold transmute.”

The poet was referring to liquor, and it might be why liquor and newspapering have been so indelibly linked. Certainly, the drinking by newpapermen — and I’ve worked on newspapers in colonial Africa, London, New York, Baltimore and Washington, D.C. — was endemic and awesome.

Less now, I gather. The venerable National Press Club in Washington used to support two bars and, at lunch and in the evening, drinkers crowded them 15- deep. Now the only bar is sadly empty most of the time.

Once I ran into a colleague at the end of the day at the Paris Air Show. “How are you?” I asked. “I’m cold, I’m wet, my feet hurt and I haven’t found a story,” he said. I knew why he was miserable: Life’s leaden metal hadn’t been transmuted into gold nuggets of news.

The book writers, if they’re any good, unearth many stories, but the thrill of publication isn’t daily. It can take a year or longer. Not for me.

News writing, like drinking, produces its thrills predictably, and I’m for the early gratification. More power to my colleagues who are undaunted by the long haul.

 

Why Are the Bus Riders Left Out in the Cold?

Rhode Island, where I live, is, as I have found, a kindly place: people look out for one another. So why, I wonder, are there so few bus shelters and even benches?

I find the public transportation users (I’m one) standing forlornly, in all kinds of weather, waiting for a bus. Recently, in the heavy rains, they were especially bedraggled. This must negatively affect ridership. Since I have difficulty standing for long periods, I don’t take the buses in Providence and its surrounding communities. But I’d take them if I could sit down while waiting.

In Washington, D.C., where I’m often, I take the buses a lot. There are seats in shelters that don’t keep you warm but do keep you dry.

It’s cruel to leave those who ride buses without shelter or seating.

 

Sleeping Rough in a Place of Learning

I travel to Cambridge, Mass., quite a bit. But recently, in this self-regarding gyre of great ideas, I’ve noticed more homeless people than ever sleeping on the streets. One wonders, wandering the streets so close to the Great Minds, whether some of them haven’t thought of a solution? Is it a step too far from the ivory towers to the hard pavement where the luckless sleep?

 

Second Story To Add Restaurant, Lose One Stage

I went to Warren, R.I. to see “Art” at 2nd Story Theatre. At the end Ed Shea, the dominant force there – by turns actor, director and manager — came on stage to announce that the building, which now includes two small theaters and a very pleasant bar, is to be refurbished, and that the first-story theater will be transformed into a restaurant.

I wish them well, but it’s unclear how this will work. Will the restaurant be complimentary or competitive? If I’m going to eat and go to the theater, I favor supper after rather than dinner before. Going to a good restaurant is, in itself, a theatrical experience and competes with theater for entertainment hours.

One of the joys of Rhode Island is its profusion of really good places to eat. Warren is no exception. New Orleans has the reputation, but Rhode Island has the vittles.

Second story will lose a stage, but Shea still plans to cook up some imaginative theater on the remaining one.

Filed Under: Random Features Tagged With: 2nd Story Theatre, journalism, Rhode Island, theater

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